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Neu-Geographisch vorgestelltes Ungarisches Kriegs-Theatrum in Servien une dem Bannat Temeswar - btv1b5964164t.jpg

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Neu-Geographisch vorgestelltes Ungarisches Kriegs-Theatrum in Servien une dem Bannat Temeswar   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Title
Neu-Geographisch vorgestelltes Ungarisches Kriegs-Theatrum in Servien une dem Bannat Temeswar
Description
Français : Sujet : Serbie -- Frontière -- Hongrie

Belgrade -- Siège -- 1717 Belgrade -- Fortifications -- Vues cavalières Šabac -- Fortifications Ors̡ova -- Fortifications Vipalanka, Fort de -- Fortifications Novi Sad -- Siège -- 1716 Timişoara -- Fortifications Smederevo -- Vues cavalières Pančevo -- Fortifications Appartient à l’ensemble documentaire : AnvilMF Couverture : Europe (parties) Serbie Roumanie Langue : allemand

Éditeur : Ioh. Bapt. Homann (In Nürnberg)
Date 1717
date QS:P571,+1717-00-00T00:00:00Z/9
Dimensions height: 65 cm; width: 49.5 cm
dimensions QS:P2048,65U174728
dimensions QS:P2049,49,5U174728
institution QS:P195,Q193563
References
Français : Notice de recueil : http://catalogue.bnf.fr/ark:/12148/cb40577015h

Appartient à : Collection d'Anville ; 05902

Notice du catalogue : http://catalogue.bnf.fr/ark:/12148/cb406714140
Source/Photographer
Français : Bibliothèque nationale de France, département Cartes et plans, CPL GE DD-2987 (5902)
Bibliothèque nationale de France

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Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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