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N.I. Kravchenko on the background of the painting "The Taking of Beijing".jpg

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Summary

Description
English: Photo from the magazine "New Time" 1913. The photo shows the artist N.I. Kravchenko against the background of the painting "The Taking of Beijing"
Русский: "Иллюстрированное приложение к газете Новое Время за июнь 1913 года", Газета "Новое Время" "№ 13375 C.-Петербургъ, Суббота, 8-го июня (21-го июня) 1913 г." страница газеты 8 (страница сборника 192), подпись под фото: "Художник Н. И. Кравченко и его последняя большая картина "Взятие Пекина"" "Для исполнения этого огромного полотна (8 арш. длины) в начале 1902 года с Высочайшего соизволения Н. Кравченко ездил в Китай и там на месте собирал богатый материал, давший возможность художнику, под свежим впечатлением рассказов участников похода на Пекин, восстановить всю картину этого исторического события. Наш передовой отряд под командой ген. Василевского, состоявший всего лишь из четырех рот, далеко не полного состава, 2-го и 10-го Вост. Сиб. стр полков, четырех орудий и полутора сотни казаков, ворвался ночью в столицу богдыханов, защищаемую целой армией китайских генералов, и в течение долгих часов выдержал бой с неприятелем, пока на подмогу ему не подошли главные силы под командой ген. Линевича" "Съ фот. А. Оцупъ"
Date
Source Magazine "New time", No. 6, 1913 Газета "Новое Время" № 13369 1-го июня (14-го июня) 1913 года
Author фотография: "Съ фот. А. Оцупъ", картина: Кравченко Николай Иванович

Licensing

Public domain
This work was published on territory of the Russian Empire (Russian Republic) except for territories of the Grand Duchy of Finland and Congress Poland before 7 November 1917 and wasn't re-published for 30 days following initial publications on the territory of Soviet Russia or any other countries.

The Russian Federation (early Soviet Russia, RSFSR) is the historical heir but not legal successor of the Russian Empire, and the Russian Empire was not party to the Berne Convention (it was not country of Union for the protection of the rights of authors in their literary and artistic works), so according to article 5 of the Convention this work has no country of origin except:

  • in the case of cinematographic work the maker of which has his headquarters or his habitual residence in a country of the Union, the country of origin shall be that country,
  • in the case of architecture erected in a country of the Union or other artistic works incorporated in a building or other structure located in a country of the Union, the country of origin shall be that country,
  • in the case of other works if the author is a national of a country of the Union¹, the country of origin shall be that country.

¹ - Author who is not a national of a country of the Union but who has his habitual residence in a country of the Union, be assimilated to national of that country.


If applicable, {{PD-Russia-expired}} should be used instead of this tag.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931.

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N.I. Kravchenko on the background of the painting "The Taking of Beijing"

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